Cécile van Dijk is a British and French costume designer. Her work spans feature films, television dramas, and historical productions. Indeed, with a keen eye for period detail and character-driven storytelling, she has built a distinctive body of work that blends authenticity with visual creativity.
Her recent credits include Pompeii: Out of Time, a historical drama exploring the aftermath of the eruption of Vesuvius. Similarly, Einstein and the Bomb examines the moral dilemmas faced by Albert Einstein during the development of nuclear weapons. In addition, her film work includes The Man in the Hat, Tell Me Everything, and The Beat Beneath My Feet. Together, these projects showcase her versatility across genres, from whimsical comedy to intimate character studies.
Cécile’s approach centres on using clothing as a storytelling tool. In this way, she helps actors and directors bring characters and historical periods vividly to life. Moreover, her extensive filmography includes work on Paul Thomas Anderson’s Phantom Thread (Bafta and Oscar for Best Costume), Bridgerton, The Witcher, and Star Wars: Episode VIII – The Last Jedi.
While working on Phantom Thread, Cécile coached Daniel Day-Lewis on the art of haute couture tailoring — an experience so immersive that she ended up appearing alongside him in one of the film’s scenes.
You can find her full credits on her IMDb profile.
Finally, explore her portfolio of films below, or get in touch to discuss a collaboration.
with:
Aidan McArdle
Rachel Barry
Andrew Havill
Helena Westerman
Simon Haines …
In 2024, “Loki” star Tom Hiddleston reunited with the series’ executive producer Kevin R. Wright to create a documentary that wasn’t about a salacious murder, a cult or Hiddleston’s acting career.
Tom Hiddleston, the actor, first visited Pompeii in 1998, when he was 17, and found it similarly unforgettable, because “in Pompeii you can time travel.” (He’s not wrong.)…
Costume designer Cécile Van Dijk (The Phantom Thread, Tell me Everything) carried this realism into the wardrobe, sourcing hand-woven textiles and mineral dyes available in A.D. 79 to visually encode the complex Roman social hierarchies directly onto the screen.
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